Table of Contents
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the age is considered to be fast and accurate through deed records dating artifacts on it. However, most
researchers antiques (especially ancient ceramics research) typically learn the material, pattern area, a few
through self-Nom documents to explain more specific examples built on artifacts that have taken Nom
script can do all the research in comparison, also as in-depth research, specifically through the ceramic.
Over time, together with the volatility of historical, natural, social, antiques and pottery in Vietnam
has been eroded, but also day affirms the value of this historical document. However, researchers are rare
historical artifacts, Nom go into the systematic collection of texts Nom appear on ceramics from TK
Vietnam XV - XIX. Thereby, building systems that are universal most issues Nom on ancient pottery in
each stage.
Document on Nom on ancient pottery is one of the important materials to demonstrate a culture or a
civilization there. Through Nom scripts, we also know about the history of the village, the history of trade,
diplomacy Especially the typical work Nom many variants as there are threads Gulf of value in the
learn about authors, works. In addition, the study texts on ceramics Nom will open for us the way to build
and develop the systems perspective in research on learning autographs Vietnam ceramics from the
fifteenth century to the nineteenth century.
Van itself on Vietnam pottery appeared quite soon, however in the development process, they have
influenced the way Chinese ceramics processing. So, when the ceramics division, modality texts,
researchers at no confusion between Vietnam and China porcelain, pottery least mid-nineteenth to the
early eighteenth century. Thus, the delimitation of porcelain and fine china Vietnam through texts will
help clear delineation than two lines of this ceramic.
In addition, the identification of ancient ceramics and characteristics of texts on each line of
ceramic existing or conflicting opinions; many insights not enough scientific evidence in recognition of
the cultural characteristics Nom self on ceramics from the XV century through the nineteenth century, this
was a period space needs to be complemented in the future. Thus, our work will contribute to the initial
depth and strings give the most general characteristics of Nom scripts on the ceramics, as well as distinct
characteristics of each style threads bay, recording Nom script on her ceramics.
Due to the subjective reasons and objective, many texts on the subject bay pottery valuable ancient
texts are studied in Vietnam neglect, or enhanced by material values by bringing antiques. Therefore,
antiques bleeding is pretty much synonymous Nom texts on valuable antiques history, literature, writings
also learn a follow tomorrow. However, in recent years, general antiques, antique pottery in particular
Museum Hanoi . These include the works: "Tho Ha pottery at the top and those at Bat Trang flavor" of
Clement.Huet, "An Outline of Southern art" of L.Bezacier.
The overseas projects may include "La question de la Ceramique et les Bleus de en Annam Hue"
Chochod Louis, "Le Bulletin des Amis du Vieux Hue" of L. Cadiere
summary, early ceramics of Vietnam script was in Far East Institute is collecting and resources for
you today. However, many recorded content, description, transcribed texts significantly different than the
content texts on ceramic products, ceramic and authors often make subjective interpretations
In the period No. 2, 1945, marks the beginning of a new stage in Nom script research on ceramics,
Vietnam's ambassador to the country the Democratic Republic of Vietnam was born. Meanwhile,
scientists at the Far East Institute in Vietnam have been cooperating with the new government of national
as well as local scientists to pursue projects in Southeast Asia: Buddhist studies religion, language,
literature, ethnography . In this period, the domestic scholars have published several works related to
Nom texts on ceramics, typically can mention the work of Vuong Hong Sen as:
- La Chique de Betel et ANCIENS les pots à Chaux du Viet-Nam (1950)
-breathtaking ancient hobby (1971)
- Survey of ancient Chinese porcelain (1972)
- Jingdezhen training record (1972)
- player's handbook breathtaking ancient (1972)
In this period, many ceramic texts are national property registration and exhibiting organizations.
Thereby a large portion artifacts texts have been published over the article published in the journal Culture
magazine and published a number of works such as "History of Vietnam art" of Nguyen Phi diaphragm,
one has there is a separate chapter devoted to Bat Trang pottery.
This time, the influence of the resistance war against French colonialists made the collection and
publication of texts exhibit very difficult Nom. Since then, led to the study of texts Nom on ceramic not
deserve developed as inherent material.
The third period: In addition to Hanoi History Museum is the local museum as Hai Phong, Nam
Dinh, Hue royal art has gradually improved profile artifacts. The findings and results of new research
on ceramic Vietnam had texts published in many journals such as Archaeology, Fine Arts, Nom, Then and
Now, History The collective record weak in specialized workshop also printed, especially "The new
discovery of archaeological" Announcement science education announcement Nom The individual
Inherit the achievements of the research scientists at home and abroad have been published and
related topics.
4.2. Research methods used
topics fieldwork methodology, analysis, synthesis.
Survey methodology, describe, compare, compare.
Learning method Nom documents.
Interdisciplinary method: Museology, History, Culture learning
5. Donate new topics
Results of the study will help identify the potential value of self-Nom documents on Vietnam
ceramics from the fifteenth century - XIX, clarify issues of history, culture , literature
Helps recognize true, author of ceramic, porcelain neck through writing system.
Give the name for each type of texts, each type of localized texts on ceramic products, ceramic XV-XIX
century.
Formalized Nom scripts on Vietnam's ceramics XV century - XIX, thereby building resources
authentic value.
Contributing to local educational and cultural tourism development, contributing to the
conservation and promotion of cultural values Nom self in the new era.
Contributing to enrich resources in the same field and to study the related subjects.
The theme could be the player handbook for antiques, especially pottery and porcelain in the comparison
of content, form and characteristics of the scripts on the production of the same type.
6. In addition to the internal layout
preamble above mentioned topics will be developed into four chapters, conclusions, list of
references and appendices.
CHAPTER 1: OVERVIEW OF RESEARCH OFFICE self- Nom CERAMICS FROM VIETNAM
TO TK TK XV XIX
1.1. The study was published officially
From the early twentieth century, many research texts Han - Nom ceramic appeared, each one
stage, the author studies the aspects, the level of different, but their contribution to the system
documentation Han - Nom ceramic very admirable Vietnam important, even initially works only
introductory and simple translation but also brings a new outlook to system documentation Han - Nom
the authors also made major contributions to the literature exploring self Han - Nom on ceramic. A
number of researchers have published the monographs, texts and treatises on Han - Nom on ceramic.
There is much work to contribute significantly in research texts Han - Nom ceramic Vietnam XV century
- XIX. However, the work, the article will only mention a few works of Han - Nom typical that no
research monograph does research on Chinese characteristics texts - Nom on ceramic.
1.2. Material from museums, private collectors and the internet
1.2.1. Documentation from the local museum
Also printed materials, the study of the sources Han - Nom ceramic Vietnam XV century - XIX in
the domestic and foreign museums also remarkable. This is hard work, requiring effort and money, so the
display through the introduction of artifacts and records artifacts at the museum to study together. We can
through resources at the museum: Vietnam History Museum, Vietnam Museum of Fine Arts, Museum of
Royal Fine Arts in Hue, Vietnam History Museum - Ho Chi Minh City, Bao Hanoi Museum
1.2.2. Material from museums abroad Nom
source material in foreign museums plentiful, thanks to the power of the artifacts in foreign
museums but not at researchers, foreign scholars have completed the study of ceramic Vietnam without
having to Vietnam research. These include: the Royal Museum of Art and History in Brussels, Belgium;
Guimet Museum in Paris, Dresden Museum of Art, Museum of Ethnology (DTH) Munich (Germany),
Museum of Fine Arts Boston in Boston, Massachusetts, Fukuoka Art Museum and the Museum of
Ceramics, porcelain Kyushu, MAK Museum (Vienna, Austria)
1.2.3. Material from museums and private collections private
In addition to the national museum and the national museum outside of the country, the private
museums and private collections also contributed a very important part in saving keep the artifacts
ceramic Vietnam have scripts Han - Nom. This is a very rich source material, although they were scattered
sporadically. Notably, the collection of: collection of ceramic Vietnam's overseas Jochen May, the private
museum of the Nguyen Dynasty style porcelain sign at 114 Mai Thuc Loan Street, Hue City by the
researchers, antiques collector Tran Dinh Son are set up, the private museum of Mr. Van Van Tran Ngoc
Lam is next Bat Trang village, Hoang Long Artifacts Museum (Thanh Hoa) by Hoang Van Thong,
collection of Doan Tuan Anh (Hanoi), Collection of Bat Trang pottery collector Vu Tan (Hanoi), Chu Dau
pottery collection on the shipwreck of the study, collecting antiques Dao Phan Long. Some researchers
have large collection of porcelain placed on the type of king, lord Vietnam may include porcelain
Nom write on ceramic, porcelain and how many views identifier. Researchers antiques Vuong Hong Sen
called "Test Subject" ( 诗 题) [Verse], Ha Van Tan, Nguyen Dinh Chien called "Ming writer" ( 铭 文)
[Inscription], Tung Pham Hy-called "performance problem "(号 题) [Marks], Tran Duc Anh Son referred
to as" self "(文字) [Script], including a performance problem (号 题) [marks] and poetry (诗文) [Prose
and verse]; Tran Hung called "Calligraphy, calligraphy" (书法, 书画) [Calligraphy, graphics Letter]. In
terms of identity terms, we have the author agreed with Tran Duc Anh Son.
2.2. Characteristics of the method express written texts
The Han - Nom ceramic Vietnam fifteenth to the nineteenth century, judging from the writing area
(Physical, 体, writing froms), we can see two ways is used to write key: Simplified spelling ( 简 体) in
Chinese modern style and traditional way of writing (繁 体) in accordance with ancient Chinese writing.
Also in terms of writing, we still can see some single letters (单体), also known as sub-description
(小写), how to write complex (复 体), also known as Colonel, written quotation (大写) and how to write a
short (短 体), also known as a short description (短 写).
However, when considering characteristics texts Han - Nom ceramic Vietnam XV century - XIX,
in block letters forming characteristics, we found, the pottery village artisans using methods primarily as:
The first type, a form of eczema using quill pen writing on bone ceramic, enamelled before or after
Government yeast can also sign up dots stamping products. This form, we tentatively called "Binh self"
( 平 字 ) [Flat Writing], represents the "flat text" on products.
The second type, the form of a pen tip, or a material hard enough to engrave bone ceramic sink lower, this
kind may be bare or enamelled then before firing. This form, we tentatively called "Ao self" ( 凹 字) [Sink
writing], represents the "bird" on the product.
The third type, form fill, Letter on body casting ceramic products, this category can be used
manually, or molds. This form, we tentatively called "sudden death" ( 凸 字 ) [Embossed writing],
represents the "Braille" on products.
The Fourth Kind, the written form of self-carving holes, build and own separate section forming a
pattern on product shape and highlight text on the product itself. This form, we tentatively called
"Bamboo self" (筑 字) [building word], represents the "word up" on products.
For each type will show us a few lines characteristic of ceramic products, ceramic from the
fifteenth century to the nineteenth century.
2.3. Characteristics can text
meaningful poem, or a poem, verses, poems about landscape bay used to be product drawing above. Nom
on stage porcelain from the nineteenth century to the fifteenth century focused primarily on two main
product lines: Furniture-style set of imperial and feudal Bat Trang pottery. So far, we have not seen the
script typeface appear independent brand retail nature.
2.4.2.1. Characteristics of Nom layout on ceramics
On ceramic products Nom texts appear as often as the artifacts themselves Butcher (incense
burners, incense ) and appliances (vase , bowls, plates, tea sets ).
On the censer, incense, Nom texts appear sporadic, interwoven with Chinese script used to write
the name or place of merit. The texts are usually arranged Nom bottom or sides of the base product.
On the home appliances, TK XVIII - XIX Nom presented mostly independent and poetry, most are
located in the heart of the disc, a few are listed below the disk. Nom on the vase, bowls, tea cups, teapots,
bowls cigarettes (the map is known as the vertical maps) are often present behind the product.
2.4.2. 2. Classification and Nom Nom
featured on ceramic has many features not coincide with the script on paper, wood However,
when considering the structure of the script, each author based on specific criteria , plans divided into 4
categories, plans to split into 24 categories, each option has advantages and personal limitations. Nom on
ceramic has many features not coincide with the script on paper, wood However, when considering the
structure of the script, each author based on its own criteria, a plan divided into four categories, plans to
split into 24 categories, each option has its own advantages and limitations. In our classification above we
see Nom classification in the form of 10 categories in accordance with the script on a ceramic, porcelain
over.
A regular feature in the script is a lot of negative words can read, a word has many different
spellings. This one is easy to find on the ceramic products, ceramic, especially on porcelain, which are
considered civil known as the "street furniture". Unstable phenomenon appears not much on advanced
ceramic products, ceramic aka placed feudal imperial style, but on the civil porcelain interior, the three
stars, the relatively more.
- Signature Nom on ceramics while preserving ancient code word. Through the phenomenon: The
phenomenon started recording Nom Vietnamese ancient record Nom Nom Vietnamese alphabet neck and
neck TERM
On the record here are some characteristics of the script on pottery and porcelain that we just
structural characteristics of the path itself can get artifacts that belong to the Le Trung Hung
Many analysts have Research is of the opinion that, given the characteristics of the text can be
perceived characteristics of Chinese calligraphy Nom on ceramic. So, whilst speaking in the style, but
besides that there are many other subtypes. Like rabbits, Phuc letters on ceramic processing stage, the
natural and cultural. However, potters in Vietnam in general show much rather be writing many types of
writing. Each time the style in vogue a few style written through dating can write pretty accurate. For
example, the type of seal embossed letter a lowercase more prevalent in the latter half of the nineteenth
century, especially in the Bat Trang pottery
About localized products: The products reviewed on localized texts are very important
characteristics important, to avoid confusion for the line of ceramic, porcelain, thereby avoid being
confused between imitation antiques and antiquities. For example, sudden death style and architecture
itself, when it comes to these two characteristics will give us even thinking of localized product pottery
and porcelain products as mentioned Doai market. Pottery is Striking map of Bat Trang, Phu Lang
sixteenth century and seventeenth-century porcelain set type XVIII
Signature stamps appear on ceramic single word also appears valid only on porcelain. Can
porcelain two letters on this verse form letters should also be considered to help differentiate products for
the rapid and accurate. Or mention the word single stamps ceramic products are not any products typical
of Phu Lang, Tho Ha. Referring to the letter, the rate is still more typical of the style porcelain set of
Nguyen dynasty
comments feature will give us self-localized products enamelled tech. Loi said it was self-ceramic
products, more specifically, the Bat Trang and Phu Lang.
The above are a few values through cultural characteristics of self-Nom, the value may also
contain multiple and hidden deep inside each artifact, but immediate visible values through cultural
characteristics of Nom initial order we would be closing as just described above.
The researchers sum up the characteristics of self-Nom documents from the fifteenth century -
XIX, not only helps us to have more awareness of Vietnam Ceramic line of type, style, theme decor but
also helps we have more basis in truth assessment, fake antiques in terms of analyzing characteristics each
type of deed.
It can be seen from the XV century - XIX, Nom texts appear on ceramic rich from a few dozen
letters to words (common) or hundreds of letters (rare) . Most texts are expressed more in Han, Nom
popular. Chronology under cover of king king of China (usually dating to the Ming Dynasty, Qing) and
Vietnam (the most abundant is dating the Le - Mac and Nguyen).
3.1.2. Van itself can only follow detailed chronological record.
Chronology recorded in detail can also be called annuity ( 年 款, year mark) are: texts produced
only five of artifacts. When appearing on ceramics, texts often used can spend record production year. The
detailed chronology can usually recorded in the year to coincide with the dynasty porcelain, they have the
form: two and four letters.
3.1.3. Van itself can only follow detailed chronology dating combined with
king can follow detailed chronology dating combined with King on Vietnam ceramics from the
fifteenth century to the nineteenth century, though it's not rich but we also see a characteristics, a self-only
dating writing in this period.
It can be seen, texts dating only relatively abundant. However, according to dating dating king
combination ceramic date appearing on the main, according to the chronology can also spend more on
porcelain appear. This is one of the recognizable characteristics of ceramics from Vietnam XV century to
the nineteenth century.
3.2. Texts only museum where clause, paragraph and brand communications
3.2.1. Texts only visceral account
account Museum (藏 款, hall mark) is in use as preservatives, made to order products. Museum
only texts written accounts mostly bottom of the product.
3.2.2. Texts only just lost touch paragraph
Document on account of ceramics from the fifteenth century to the nineteenth century is abundant,
we used to only name givers, who wrote or called to order and the item title or only explaining internal
What kind paintings.
3.2.3. Texts only self-only brand brand
Van ( 商 号 , trade mark), is only about workplace texts, production facilities such products.
Document on the bottom are usually recorded items, rare items written on the body. Texts only on
porcelain brand is somewhat clearer pottery
3.3. Document on threads from
Proposal from (提 词, text), was used to write poetry texts, documents praised the scenery, human
emotions
country, in most poems, Nom documents. On the pottery, porcelain, if only at the contents poet, writer
Han - Nom from verse forms or more, more than half of the verse, ode to natural beauty, the country. Not
just the writers to set your heart on topics praised "Jiang valid sequence number" that the king, he had a
more proud, Jiangshan love her more. Only the sleep to work on ceramic products through the
implementation of the National Lord Nguyen Phuc Chu King Thieu Tri and also reveals the pride and love
of his country, who can be seen as representative Meanwhile the country.
Through Nom script content on XV century ceramics - XIX, we see the details reflect dietary
taboo issues as well as the basis for the assessment of artifacts dating. On the porcelain of the coating
process provides direction are known as: South, North, East, Central. Private provision in the west to the
lord called porcelain Doai supply and on record, "the Interior Minister Doai", this is how cavalry
commander record Trinh Tac Tay King (1657 - 1682), the West has been the word princess Zheng
replaced by the word Doai. Because, according to the translation of cinnamon Doai west of Doai supply
should also be understood as the West provides the Trinh Lords.
Or as Bat Trang pottery on the word "United" in "United Radio field is still pretty sight," the word
"flower" diet taboo is written in a "Best Glasses with pen" This demonstrates pottery making about dating
Gia Long, Thieu Gia Long's reign began the diet taboo daughter named Ho Thi Hoa at 15. Meanwhile,
also on questions of Bat Trang ceramics "white flower yellow green II" is kept, indicating the products are
made in other periods.
Besides, Nom scripts also portrayed life in the contents through texts only museum content clause,
the Government of South, North, East, and Central Doai then had separate utensils, appliances the
government's own landscape drawings and poems express different threads bay. That is a testament to the
wealth and luxury within government. Through drawing blueprints and scripts on dragon phoenix
porcelain cabinet government researchers identified in Organic toys for the non-provision, the provision is
left in her place under the class concubines. Particularly Doai provide to us may be provided exclusively
for non Dang Thi Hue Declaration, because the scripts provided only museum Doai different accounts
with other offers and has a very personal subject, this person would have been more favored, the images
depicted on the graph is Doai scenery, real characters s government.
Through text content itself, we see the pervasiveness of Buddhism in people's lives and the
philosophy, the concept of Buddhism is reflected through the content on pottery, porcelain. The deed Han
- Nom self-health on the map just where much treasure account owned by temples and places of worship
contents are given later, but I think no matter how we divide the content matter how the ultimate goal of
the research is to clarification and more specific system of giving themselves. This proves Nom script
content on ceramic Vietnam XV-XIX century rich. But, despite this abundance, we have not seen (or not
seen) on a certain artifacts remain full all the characteristics of self-content documents mentioned above.
Often there is a combination of two or three types, but the most popular is a combination of two types of
styles: from dating to the topic, the topic of annuity or trademarks of threads from the This is a
characteristic own ceramic Vietnam XV-XIX century.
Chapter 4: SOME ISSUES ABOUT THE AUTHORS, AND CAN WORK IN CAN THO Spirit
Pottery FROM VIETNAM TO TK From XV century XIX
4.1. Author artifact issues ceramic
One of the problems in the process of self-study documents the Han Nom ceramics are the names
of artisans creating products and the origin of the product like? The author decodes the ceramic artifacts
will decode for many research questions that people want to know.
At this point, we have to learn and do better initially on the life of a career author ceramic artifacts
texts as threads Bay: 13 Bui Thi Hy through texts on Chinese vase ceramics in the Topkapi Saray
Museum, Istanbul 大 和 八年 南 策 州 匠人 裴氏 戏 笔 "bowl-aged Thai Hoa, South Asia Books, Bui
Thi human subjects Coliseum pen "(In Thai Hoa 8 (1450), in South Asia Books, Bui Thi Hy artists write /
draw / create).
One of the famous artist Bui in pottery and titles can not Bui Tuan mentioned. On the sole of the foot
lights at the Museum: 13780 LSB is written: 顺 安 府 嘉林 县 钵 场 社 社长 裴 浚 造作 (Tuan Bui
commune chief Bat Trang Commune, Gia Lam District, Phu Thuan An artifact) on the base plate lights at
the Museum: LSB LSB 13 773 & 13770 registered: 顺 安 府 嘉林 县 钵 场 社 生 徒 裴 浚 造作 (Born
Tuan Bui map Bat Trang Commune, Gia Lam District, Phu Thuan An artifact) on a lampstand at the
Museum: LSB 13519, write: 顺 安 府 嘉林 县 钵 场 社 裴 浚 黎 氏 瑾 造作 瓶 花 一座 (Bui Tuan and
Le Thi Near Bat Trang Commune, Gia Lam district, government buildings Thuan An artifact a vase ).
Also Bui Tuan Bui other artists they also signed his name on products made, typically on foot as
Bat Trang pottery lamp at the Museum: LSB LSB 12 842 & 13 779 artisans have been signed script name
as follows: 裴惠 裴氏 杜 造作 (Hue Bui, Bui Thi artifacts). At the foot of the lamp in BTMTVN: 2159-
G2-479, recorded: 嘉林 县 钵 场 社 裴 富 多 造 (Bat Trang Bui Phu Da commune, Gia Lam district
created). In a pair of candlesticks in Nam Dinh BT: NH88/SS72 and NH89/SS73 stating: 顺 安 府 嘉林
University Dr. Ngan, performance measures and Phuc Thanh Quang Duc growth along the false princess
Guo Xa commune buy vases ), or artifacts in Hanoi BT: BTHN 7340 stating: 黄牛 号 福宁 造 (Hoang
Phuc Ninh Taurus brand manufacturing)
Also, in Bat Trang artisans also handing them the lines, family. This imprint is quite evident in the
artifacts stored in museums, monuments family artisan Du Fu Bat Trang Commune artifacts, as artifacts: a
candlestick at the Museum: LSB LSB 13518 & 17250: 嘉林 县钵 场 社 杜甫 造作 (Coverage Bat Trang
Commune, Gia Lam District artifacts). Many artifacts are named Du Fu's wife, his son on products such as
lamp stands the Museum: LSB LSB 12 862 & 13530: 嘉林 县 钵 场 社 信 官 杜甫 造 屏 妻 阮 氏 本 男
杜春 闱 女 杜 氏 珣(Credit Du Fu the Bat Trang Commune, Gia Lam District create wife Nguyen Thi
Ban average, Vi Xuan son, daughter weekly chart). On foot lights at the Museum: 13775 LSB have essay
writing: 太保 陀 国 公 莫 玉 辇 福 成 公主 ( ) 本主 杜甫 造 并 娓 阮 氏 本 ( ) 杜春 闱 并 妻 黎 氏
玉 (Da Thai national security the Mac Ngoc Lien, Princess Phuc Thanh Du Fu master and create the same
average shoulder Do Xuan Nguyen Thi Vi The wife Le Thi Ngoc [do]). After this, Do Xuan Vi
successor heirloom artifacts and pottery products independently username my name as a candlestick at the
Museum: LSB 15 405, the Museum: LSB 13 778; BTMTVN: 513-G2-360 record: 钵 场 社杜春 闱 造
(Vi Xuan Bat Trang Commune created). BT Nam Dinh: NH 1495/ss502 钵 场 社 杜春 闱 造 从事 侍郎
讲 喻 武 邦 祯 (Do Xuan commune, Bat Trang Vi do [on the order of] the market Tong lecture hall
example Trinh Vu Bang)
Some artisans of ancient pottery village of Bat Trang username and ceramic products due to their
artifacts, on foot lights at the Museum: LSB 17 249, BTMTVN: 2175-G2-4985, stating: 霸 水 社 匠人 阮
俨 卖 (Potter Nghiem Nguyen Ba Thuy commune sale) or as artifacts in Nam Dinh BT: NH 92/SS. 76
wrote: 陈克廉 (Liem Tran Khac) in Hanoi BT: 10170 BTHN stating: 时 中 社 黄 福 造 (Hoang Phuc
commune Middle fabrication). On the censer at the Museum: 12819 LSB is written: 钵 场 社 僧 阮 克 遵
妻 陈氏 贶 造 (Increase Nguyen Khac Tuan Tran Thi Huong and his wife made in Bat Trang Commune),
the censer in Hai Phong BT: BTHP 1333/S68 , has written: 顺 安 府 嘉林 县 钵 场 社 黎 氏 开道 号 玄
珍 (Bat Trang Commune, Gia Lam District, Phu Thuan An, Le Thi Huyen Tran Khai direct effect
[manufacturing]) on censer at the Museum: 11238 LSB is written: 顺 安 府 嘉林 县 钵 场 社 黄 宋 造
(Hoang Tong Bat Trang Commune, Gia Lam District, Phu Thuan An fabrication)
On the username porcelain artisans also appear on the disc of the Nguyen Dynasty-style tea set
marked communication line paragraph: 昌 溪 杜 灯 甫 奉 制 (Do Dang Phu Khe Xuong commune par
compatible complaints about the language in Justice user still has more in common with the works Dao
Duy Tu is shown. Moreover, tea plate Nom poems are set in the style of the Nguyen that wrong Wang
(Nguyen Phuc Nguyen 阮福源 , 1613-1735) very dear and trusted resource Duy Tu; later, the Nguyen
lords are considered Dao Duy Tu every sense of the Founding Fathers. Moreover, with the praise of Lord
Nguyen Dang Trong, Southern Scenic overlook the galaxy and in the northern Trinh it would fit well with
the view of Dao Duy Tu
In addition to poetry, the poet Han Nom was also existing username author, one of the authors
highlight the Act's (道人). About brand name of "Director's" three authors notably Vo King Nguyen Phuc
Khoat 阮 福 阔 (1714-1765) meant that from the health director's 慈济 道人, second author is China
Princess intelligent king Nguyen Phuc Chu 阮 福 淍 (1675 - 1725) was God who directed human
performance 天 纵 道人, Hsuan Hsu Nickname 玄虚 道人 director and author who finally Nguyen Phuc
Hong 阮福洪 泳 Bay's leading brands such as 如 如 道人.
The three of you are great writers of literature and have grave Inner Buddha. However, the author's
Like As directed, we confirmed he was not the author of the poetry on the porcelain has username
"Director's letter." Because he lived in the latter half of the nineteenth century, while the ceramic artifacts
belong pseudonym on the eighteenth century. Thus, two other authors notably Khoat and Nguyen Phuc
Nguyen Phuc Chu. Username Hsuan Hsu's guidance, we believe that the work of Nguyen Phuc Chu.
The username works "Director's letter" is most of the previous studies is confirmed by Nguyen Phuc Chu,
but we found insufficient basis. However, we share the view, the username widgets have this in place by
the Nguyen lords hand made. These poems are usually poems any aphasia, a poem written in ten lines, the
first line is the title, eight lines of text and a communication line in the last paragraph poem username:
Director's letter (道人书). The poetry of his aphasia any kind placed on porcelain also found: Thien Mu
common understanding 天姥 晓 钟 (Bell soon Thien Mu); Ai Linh spring forth 隘 岭 春云 (May spring
on Ai Linh); Pros Pattern 顺 化 晚 市 market (Cho Thuan Hoa-way); Tam Thai court hearing 三台 听 潮
(Play Tam Thai waves) Ha Trung Yen 河 中 烟雨 dancers (Ha Trung Cloud of smoke).
In the composition of the Nguyen had a problem that many people argue that the word "越南", as
"越南冲要此山巅" and "越南亦有潇湘景".
We said that the two words " 越南 " here not only national brand that brings the country's only
"over south". Because according to the use the word Vietnam was chosen as the official name of the
country in 1804, under King Gia Long. Book Nam record is written: "February (year Giap Ti - 1804), on
spirit may appear from Song Dynasty, the first Legend of creating this type of poetry is Su Dongpo
(1037-1101). Spirit can be understood as a kind of philosophical self individual, each branch of the letters
after the full back, bring a poem that content writers wanted to convey. It is also regarded as a kind of
puzzle should also be called "Picture the contest" 形 意 诗; "ME contest" 谜 象 诗 or "Monster-yourself"
怪 字 诗. Taiwanese people are familiar with these two terms are "soy bean implementation" 图象 诗 and
"Visual examination" 视觉 诗. This kind of poetic mystery concept "Certainly nurse, of spiritual self-
realization" 以 意 写 图, 令人 自悟 (taking the draw, leaving others to understand). That is, draw a graph
composed by letters according to their idea of the letters that help the reader understand the author's
private thoughts that give rise to new viewers. Since then, the human spirit helps open new so-called spirit
can. A key feature of it is the method used "primary narcissism Figure, pen petrified least, the location
counter, polio secret archives" 字形 大小, 笔画 多少, 位置 正反, 排列 疏 蜜 (large baby-shaped, less
strokes, positioned words, reverse letters, quick little layout) to display text Currently, techniques for
writing poetry to all types of spirit main use: easy words, opposite words, big words, small words, short
words, long words, scrambled words, italic, dim, bold, word breaks, word broke However, we have
transformed certain implications purpose is poetry. Spirit can be classified into 5 categories: Self 字句 类
sentence type (type of attention the letter); polio type 摆列 类 (note type arrangement); necropsy 嵌字 类
type (type of attention with words) , Tu from 修辞 类 type (type of rhetorical attention); Journal 杂 言 类
language category (type of complex language).
Spirit can place special: first, a word can express all the attention, usually a word can take two or
three letters, sometimes directly into a verse. Second, as each one will be independent in a form, but when
combined with other words, through the arrangement of letters that will achieve the required written
statement. Third, be taken to imply, the nature of the puzzle, so the viewer can not access the actual text to
present the solution. Fourth, the article will be showing the four superb limericks, or aphasia relatively
fixed four superb traditional classical poetry
The first, direct image description text as: General, sub 大小: big, little, rough, 粗细 world: raw,
small, Nung, protein 浓淡: dark, light, scene, sketch 长短: long, short, obese, alligator: 肥瘦 fat, thin;
drilling, responsible 宽窄: wide, narrow, segments, continue 断续: off, immediately; methods, natural,
park 方 扁圆: square, flat, round Depending on the nature of the text to read exaggeration.
The second, directly describe the orientation and position as: Upper, Lower 上下: up, down, high,
dike 高低: high, low, left, right 左右: left, right, monitoring, deviant 侧斜: immediately short, inclined
they are not being counterfeited, engraving, or three stars, as losses on the books, Bell, Independence and
stone monuments.
There have been many studies deed Han - Nom ceramic appeared, each one stage, the study
authors at different levels, but their contribution to the system of Chinese literature - Nom on ceramic
Vietnam is very much appreciated, even initially works only for introduction and simple translation but
brought a new perspective on the material system Han - Nom ceramic Vietnam that period.
Han-Nom Studies texts on ceramic Vietnam XV century - XIX has achieved rapid development
and formed an important system documentation sufficient to demonstrate cultural issues, civilization,
literature and historical village issues, history of trade, diplomacy Contributing shed additional light on
the issue of authors, works as phenomena Cases for landscape work of Dao Duy Tu, the poems of King
Thieu Tri the author's username Act
Although the term identifier characters Han - Nom notes on ceramic have multiple views, such as:
"Test Subject" (诗 题), "I still" (铭文), "performance problem" (号 题), "the letter" (文字), "calligraphy,
calligraphy" ( 书 法 , 书 画 ), but we have come to the view "the letter Han - Nom" and that the
appropriateness of the term. As the term implies the characteristics of the scripts Han - Nom, such as
writing, block letters, letters
Features can create shapes of letters writing "Binh self", "self-Pond", " Suddenly self "and" self
Architecture ", each form has showed us a few lines characteristic of ceramic products, ceramic XV
century - XIX when considering at the level of shapes to create text effects. But in fact, this type appear on
a product, they not only appear detached, but also interwoven to create form "self noise", such as the pond
itself - sudden death, disease and death - sudden Also, average self - self-pond, the pond itself - self-
construction on a product
The five main body text: can grow, be quick, be Khai, Sports, Action. Regular mail stamps can be
used as sleeping on the dignity and meaning not a full verse, writing. In addition, the letter can be used as
practice for sleeping on the dignity and prerecorded poetry and culture scene. Messages can be revealed
using abundant and diverse on both ceramic and porcelain, it has demonstrated superior properties of
ceramic products. Sports letter, is widely used in ceramic, porcelain XVIII century and is marked private.
Variety of letters can be displayed on all ceramic. Feature
Han and Nom scripts: there is no punctuation, such as periods, commas, suggest no type
uppercase italics. On some ceramic products have appeared worship style line breaks by high radio text,
explore more.
The authors studied ceramic artifacts, over 13 texts on Chinese ceramic vases in Topkapi Sarayi
Museum, Istanbul, Turkey, we see, there are two different viewpoints: Ba Tang Heng authors assert Bui
Thi artists such as Greece, a number of researchers as they Bui wrote the play. In this regard, we can not
conclude the thesis research and will continue to be concluded in the appropriate time. However, the
authors of ceramic artifacts most typical username Dang Huyen Thong is the most characteristic, the work
product he has created identities, such as not using and writing complex Simplified, gray and blue glazes
are usually self Butcher, deed recording his username is very full Besides, a number of authors to create
works of ceramic, porcelain and pottery of the village are also shown, especially in the Bat Trang artisans.
In Bat Trang artisans while handing the lines of their family, especially the family artisan Du Fu.
The authors explore the ceramic artifacts have provided information about people, products, issues
related to villages, professional organizations, trade history, diplomacy. Besides, also showed particular
characteristics of each line of ceramic, enamel and water features ceramic texts on each line, each artisan
pottery artifacts
About the author related to poetry on pottery, we believe, verse Nom "Mai - Cranes" of the product
can belong folk. This verse Nom accounted for the variant record, write wrong and bad, wrong order form
and layout arrangement verse. As compared with the variant version is also one of the featured works on
ceramics Nom Vietnam and expressed through work on the product. Typically, most can see right word
landscape works of Dao Duy Tu, we initially confirmed Dao Duy Tu is exactly the author of this poem
because of the factors as discussed above.
The username works "Director's letter" was most researchers is confirmed by Nguyen Phuc Chu,
but we found insufficient basis. However, we share the view, the username widgets have this in place by
the Nguyen lords hand made. These poems are usually poems any aphasia, a poem written in ten lines, the
first line is the title, eight lines of text and a communication line in the last paragraph poem username:
Director's letter. However, in the composition of the Nguyen had a problem that many people argue that
the word "Vietnam - 越 南 "; many authors suggest that, since the only two international brands in
Vietnam. However, we believe, two from "越南" here carries the only "pass to the south".
In verse dwells on ceramics processing in addition to the king of the Nguyen Thieu Tri hobby that
also. However, Thieu Tri does not typically name after each poem.
The subject of poetry on pottery is shown as an interesting play on words, but the most
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