1
INTRODUCTION
1. Reasons to choose a topic
1.1. Literature in the first half of the Twentieth Century (1900– 1945) has
played a special role, particularly in the history of ethnic literature – the opening
phase of modern Vietnamese literature. This literary process took place during the
long period of time (less than half a century), but it was fully qualified for a literary
period. Although that has been investigated, however, Vietnamese literature in the
first half of the twentieth century (1900 – 1945), has many things that must be
further clarified, including problems of the creative inspirations of literary biases.
1.2. The issue of creative inspiration for literature and art always has a
significant role. Before a reality as social reality in Vietnam first half of the
Twentieth century, there were many new problems, phenomena of life impacting
strongly on writers. There are many inspirational circuit lines appeared in the
literature, which has inspired the move. This is an inspiring new circuit line in
Vietnam literature, being particularly an important role to help writers towards new
horizons of creativity in literature, art and give them a chance to join modern
European literature - West world.
1.3. The appearance of inspiration movement for Vietnamese literature in the
first half of the twentieth century (1900– 1945) was expressed by many authors in
many different artistic tendencies, especially in romance and romantic tendencies
(with two export delegates top color: Tan Da and Nguyen Tuan). It’s shown that this
is a problem has profound rule. Inspiration movement with a lot of new contents
(moving to escape from the cramped, ridiculous constraints; moving to escape the
dark reality, deadlock; moving to unleash what I long imprisonment; moving to
change , finding the new, exotic ones; moving for freedom; move for unconscious
purposes, moving only to move, etc.) It is currently a big problem with many
questions such as where the basis are, where the meaningful content of society and
its deep aesthetic are, where the lively art world originality created thanks to
inspiration movement and methods is, how to create it?...
So far, inspiration move in Vietnamese literature in the first half of the

20,21,22,23,24A,24B, Products of Science and Society, Ha Noi, 1997.
- Full collection of Tan Da (Collected and compiled by Nguyen Khac Xuong),
5 volumes, The literary publishing house, Hanoi, 2002.
- Collection of Nguyen Tuan (Selected by Nguyen Dang Manh), 2 volumes, The
literary publishing house, Hanoi, 1982.
- Nguyen Tuan - selected works (Selected by Nguyen Dang Manh), The
educational publishing house, Hanoi, 2000.
- Collection of Nguyen Tuan (Selected by Lu Huy Nguyen), 3 volumes, The
literary publishing house, Hanoi, 1998.
- Romantic Vietnamese prose 1930– 1945 (Compiled by Nguyen Hoang Khung
along with many other authors), 8 volumes, social sciences publishing house, Hanoi,
1989.
- Literature of Tu Luc Van Doan (Selected and Introduced by Phan Trong Thuong
and Nguyen Cu), 3 volumes, educational publishing house, Hanoi, 2001.
- New Poets 1932 – 1945, authors and works ( Composed by Lai Nguye An ),
Products of Science and Society, Ha Noi, 2006.
...


3
3. Purposes and tasks of research
3.1. Purposes of research
Through surveys, analysis, interpretation of inspiration movement in
Vietnamese literature in the first half of the twentieth century (1900– 1945) both in
terms of contents and modes of presentation, the thesis aims identify characteristics
and roles of this circuit inspiration for the literary history of the nation on the path to
modernity, communication and integration with world literature with a view to
suggesting some problems of research about inspiration movement in modern
Vietnamese literature.
3.2. Tasks of research

some other sectors such as culture, philosophy, psychology, linguistics ... to refer
and illuminate the surveyed issues learnt in the thesis.
4.5. A structured approach- system: Set of literary works in the system shifted
literary genre of the period 1900- 1945, and identifying the internal structure of this
piece.
5. Contribution of the thesis
Thesis is the process of understanding, research Inspiration movement in
Vietnamese literature in the first half of the twentieth century (1900– 1945), with a
look of concentration and system.
The thesis is an effort to cover, identify, review research issues and established
the theoretical basis for the research of Inspiration movement in Vietnamese
literature in the first half of the twentieth century (1900– 1945).
Thesis contributes not only to build, sketch modern Vietnamese literary
paintings in the first half of the twentieth century (1900– 1945) around inspiration
movement but also through explore characters of a literary period ethnic when being
written by inspiration movement – an unique new vein of inspiration, but it used to
be recognized and assessed improperly, unscientifically.
The research results of the thesis can be used as a reference for the study and
use in teaching in the school of modern Vietnamese Literature in general, as well as
a number of authors whose works linked to movement topics selected to teach at
school such as Tan Da, Nguyen Tuan, New Poems 1932– 1945, ...
6. Structure of thesis
Introduction, Conclusion, and References, the main content thesis is divided
into 4 chapters:
Chapter 1. Overview of research and theoretical foundations of the topic.
Chapter 2. The premise of the appearance of inspiration movement in
Vietnamese literature (1900-1945).
Chapter 3. The basic content of inspiration movement in Vietnamese literature
(1900-1945).
Chapter 4. The expressions of inspiration movement in Vietnamese literature

completely scientific basis and is required. Also from here to see the rule of a
literary period in the particular area.
Being able to see obviously many great problems which are concerned with the
process of periods of Vietnamese literature in the early XX century ( 1900 – 1945 )
actracting the concern of international and domestic researchers. However, there are
many issues like that – big issues being in a process in the whole period of literature
not found out or researched clearly ( as like the issue of this thesis )…
1.1.1.2. The research of profoud regular phenomenon of Vietnamese literature
(1900 - 1945) relating to the issue of the thesis.
Derived from the prosody and learning style of art, researchers have been
finding out some features relating to ideas or style of art of inspiration movement in
works of Tan Da, Nguyen Tuan, New Poet and Prose of Tu Luc Van Doan.


6
1.1.1.3. Research Vietnamese literature in the first half of the twentieth century
(1900 – 1945) of songwriting inspiration
Overall, from the point of view of inspiration, when researching on Tan Da,
New Poems, Tu Luc Van Doan, researchers sought to understand in the specific
aspect is: romantic inspiration, inspirational reality inspirational, patriotic, religious,
inspirational, ...
1.1.2. On learning, research inspiration movement in Vietnamese literature in
the first half of the twentieth century (1900 – 1945)
1.1.2.1. In poetry
Studies inspiration movement in poetries of Tan Da and New poems,
researchers have peeled some aspects typical of inspiration shifting during the
writing of authors such as: the basis of aesthetic form the inspiration movement
(from the East and the West); specific expression of inspired move (mainly by way
escapism is: look up the fairy world, looking at the past, look at love, looking at
religion, find in nature, ...) and a innovation in the form of poetry, poetic language as

1.2.1. Theoretical studies of inspiration and inspiration movement in literary
creation
Problem inspiration for the artist always has the role of primary importance,
without it there can not be the writings arts. In literary theory in the West and the
East, the researchers famously lot of discussions on this issue, typified notions of
Hegel (Aesthetics); Bielinxki, E.G. Rudneva (Introduction to the study of
literature); Le Quy Don, Nguyen Quynh (From the heritage); ...
From the late nineteenth century, the West has appeared neo-shifting, shifting
theory with many outstanding representatives André Gide, Paul Morand, Friedrich
Nietzsche ... This theory advocated movement / "go "to convert the geographical
position, switch feeling about the image; movement / "go" to change, to liberate the
bondage, find new feel (Nguyen Tuan called "change the menu for the
senses"); even movement / "walking" aimlessly, ...
1.2.2. Some theoretical studies literary criticism be applied to implement the
project
Thesis will use several methods of research have been many researchers use
such poetic school, psychoanalysis, theoretical expression object, aesthetic theory,
cultural studies, .... to solve each problem-specific research inspired literary shifting
during 1900 -1945.
1.2.3. The concept of "movement" and inspired by "movement" in literary
creation
Concept inspiration movement in the literature can be understood as the
inspiration for the position changes, displaced, is inspired of leave, the leave, the
commitment ... to look to new horizons, finding new feel that life confined, cramped
they can not find. Writers composes by inspiration movement, does not mean that
the writer is actually, in real life, that all required to travel, to move ..., means that
writers can move entirely imaginary, creation. Writers can send hobbies, spiritual,
ideological, move your character through the character.
It can not merge inspiration movement with neo movement though the two
concepts are related. Concept inspired move with much broader connotation neoshifting concept. In writing literature, neo-shifting is a phenomenon that the height

two categories: in fact moved and shifted in mind.
In terms of aesthetics and history, can be divided inspired move in literary
success: movement as the type of confician (in medieval literature) and movement in
modern style (influenced by culture methods West) in the period of modern
literature. Of course, there will be steps forward to reconcile the two types of
knowledge on which moved most clearly demonstrated is the case of Nguyen Tuan.
To sum Chapter 1
Through overview research situation and established the theoretical basis for
the subject, the thesis summarized the following issues:
Firstly, inspiring move in literary Vietnam first half of the twentieth century
(1900- 1945), though there are explored, studied less but mainly with nature as the


9
spirit of a few individual writers. The research inspired move with nature as a matter
of regularity of a literary era has never been raised in any scientific work.
Secondly, the establishment of the theoretical basis for the subject, the thesis
has made efforts to establish and choose some theory consistent, meaningful prop up
science for the implementation of the subject .
Thirdly, the thesis also gives the conception of inner inspiration shifting
terminology in literature, as well as differentiated concept with some concepts that
reach as sense objects exile, escapist literature. This is an important theoretical
premise serves as the basis for the survey and analyze the specific dimensions of
inspiration shifted in modern literature Vietnam first half of the twentieth century.

Chapter 2
THE PREMISES OF THE EMERGENCE
INSPIRATION MOVEMENT DURING VIETNAMESE
LITERATURE
1900 – 1945

in Western literature have a strong impact on the composition Nguyen Tuan, writers
Tu Luc Van Doan and New poetry movement. The authors represent the most
profound impact may be mentioned are: André Gide, Paul Morand, Friedrich
Nietzsche ...
The famous works of André Gide has been translated and have strongly
influenced the writers contemporary Vietnam, especially in the array of topics
moved are: The journey of Urien (1893), The return of the son gang (1907), The folk
music (1919), Tours of the Congo (1927), Return from Tchad (1928), Return from
the Soviet Union (1924), ... The special work is The return of son gang with motif
core is to deny the role of the family, had a strong impact to the sensory composition
of the author period from 1930 to 1945, most notably Nguyen Tuan and Tu Luc Van
Doan .
The thesis also highlights the literary works along with the subject moved,
adventure has less impact directly or indirectly to the literary creativity of the author
Vietnam in the first half of the twentieth century is typical: God song (Dante– Italy),
Don Quixote (Cervantes– Spain), Gargantua and Pantagruel (François Rabelais–
France),... And some anonymous writings famous travel diary as: Robinson Crusoe
(Daniel Defoe ) On The road (Jack Kerouac), Orient surf the window (Paul
Theroux).
2.2. The premise subjective
2.2.1. The premise from traditional literary
Thesis determined the foundation of aesthetics on the movement of the
confician scholars leave warhead bold in medieval literature Vietnam (Nguyen Du,
Ho Xuan Huong, Nguyen Cong Tru, Cao Ba Quat, Pham Thai, Chu Manh Trinh,
...). Medieval literature has left a mass literary heritage remarkable spirit moved
extremely valuable on both aspects is the notion of aesthetic (style of grape
amateurs) and practicality of their songs . Have to say, it is one of the important
preconditions for the writers and poets of the new literature first half of the twentieth
century can be followed and grown to a new level.
2.2.2. Internal resources and capabilities of national literature itself prior

modern
Based on the theory of paradigm, the thesis defined in literary period 19001945, inspiration movement is generated from the conversion paradigm authors,
from the confician scholars (and style author dilettante scholar meeting time,
especially Tan Da) switch to the intellectual class Western artists learn. Two types
of authors had to escape concepts songwriting period medieval literature, provide a
source of new life for literature by sticking to the side of Ego, say the necessities of
Ego.
2.3. "Move" as an expression of nature's era liberation aspirations,
innovation and an inspiration trigger creativity of writers
2.3.1. "Move" as a manifestation brought the era with aspirations freeing the
imprisoned, to find something new in literary creation


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The formation of inspiration movement in Vietnamese literature in the first half
of the twentieth century had flowed from traditional cultural circuit has arisen due to
the new requirements of the times produced it. In the feudal era, the concept shifted
never discussed. To the modern era, the progressive ideas, fresh from strong
Western influence in Vietnam ... Demand liberated individual ego to the demands of
its diversified is a trend weak era. This happened not only in literature and art, but
also a deep place in your life - where Confucianism was rooted throughout the
millennia.
In the need to liberate the Ego, there is urgent need liberating the imprisoned,
"framed" in all limits so long. Move itself become a necessity in life as well as in
literary and artistic creation. Author inspired by innovation, shifting is no longer a
personal behavior, no longer a separate form of existence which becomes an
ideological tendency, aesthetics really.
2.3.2. "Move" as an inspiration trigger creative writer
Serial romantic wanderings of the poet predecessors, poet Tan Da - a
representative of the last of the type of grapes amateurs in medieval literature,

century (1900– 1945) accompanied with history and reflected an honest, vividly the
international circuits most of the times, from physical pain to the mental anguish that
Vietnam must endured the thunderous of history.
3.1.2. The literature search with the move -"escapism" in reality
(MÂY MỤC NHỎ NÀY EM DỊCH CÙNG CHUNG MỘT CẤU TRÚC
NHE HUY! TẠI VÌ BẢN DỊCH CŨ KHÔNG CÙNG CẤU TRÚC NÊN
NGƯỜI TA YÊU CẦU CHỈNH LẠI CHO GIỐNG NHAU)
3.1.2.1. The escape into the world of Wonderland
In early modern literature of Vietnam, Tan Da is the earliest person to create
should be a unique dream realms. His world is mainly looked at through the prism of
charity grace, through the love of men and women. In 1932– 1945 New Poems, how
the search on the dream, the first to escape from reality. We can see that through a
series of examinations of authors as: Han Mac Tu, Luu Trong Lu, Nguyen Binh,...
3.1.2.2. The escape into the world of Wonderland
Seen from the perspective of the world, the first schedule is one of the artistic
motifs characteristic of Oriental literature, including poetry from Middle Chinese. In
Vietnam, now concert time Eurasia, Tan Da, who wove the dream first in poetry
with verses of famous fantasy world with fairies, beautiful people that the poet was
an opinion , where the first Companion was. Serial circuit flow, the new poets have
also exploited the world first scene with the creation of its own. Most of the poets
she is the case of the poet of the movement of this poetry – poet of World Tourism.
3.1.2.3. The escape into nature, religion, love
Enjoying in nature, dropping in the spring, autumn, moon ... is the specific
manifestation of the new poets on the move of inspirational creator: escapist
realities. Nature featured in the creative work of the self is the village space
van. This space is the erase nature scenery, repentance for the sins of the past, that
the character has caused for themselves as well as their relatives (the White
Butterfly, rainy wind, lit Life , ...)
The new poetry also escaped by searching on Buddhism and Christianity (Han
Mac Tu, Huy Can, Che Lan Vien, ...). Meanwhile, the religion has the most

fairies that were considered as his best friends... hobbies of Tan Da expressed the
life of a conficianist rather than modern humans with the Western style.
Romantic literature in the thirties of last century, infinite pleasures influenced
by western concepts rather than the traditional concept of style amateur scholar. In
poetry on this stage, There were the prominent names of the new poetry such as The
Lu, Luu Trong Lu, Nguyen Binh ... In prose, the name of Nguyen Tuan and writers
of Tu Luc Van Doan changed strongly in thoughts about the West's move to apply in
writing.
3.2.2. The expression of the content move-to "come out" as a wanderer,
unidentity and the thirst for freedom
3.2.2.1. Poetries before 1932 ( typical phenomenon - poet Tan Da)


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Inspiration movement are reflected mostly in poetries of Tan Da, Still Playing
(poems, 1921); The block of love I (poems, 1931); The block of love II
(1938); Original block of love; ... The thesis defines the movement in poetries of
Tan Da bringing two main characteristics: very high bar, standard, oriental style of a
confucianist and attached to true life.
3.2.2.2. New Poems In 1932 – 1945
In the poetries of a number of new poets such as Nguyen Binh , Luu Trong Lu,
Vu Hoang Chuong, Ho Dzenh, ... romantic man was also deployed on the basic
formula is: going for dreams, leaving love behind, swearing, marriage ... The
purpose of the movement was not clear, almost just to satisfy himself with the hobby
of adventure.
3.3. Move as a way to liberate the human ego, someone’s point of view.
3.3.1. Some general theory about the human ego someone’s point of view and
movement as the way of deliverance.
3.3.1.1. About personal ego and personal human
Ego is a very familiar concept in literary theory. In feudal society, with the

of the group represented Tu Luc Van Doan (Rocky Life, White butterflies, ...) and
came to the conclusion that the mark depraved, selfish, extreme novel Tu Luc Van
Doan deeply influenced Western literature, mainly André Gide.
3.4. In search of something new, something different and awareness of
them in Vietnamese Literature in the half of century XX ( 1900-1945)
3.4.1. Some gender theory and overview
3.4.1.1. About something new, something different
The new one in literature is the actual need of literature and the compulsion that
determines the character, the artist's character. In general, literature is a private
journey of creation, cannot repeat others and repeat themselves. Creating what the
East West ancient rule is.
3.4.1.2. Of the idea of finding new ones, another of Vietnamese literature the
first half century's XX (1900 – 1945)
The idea of finding new ones, the unknown Vietnamese literature of the first
half century's XX (1900 – 1945) based on the basic spirit of following and upgraded
ideology, new minds from the West Space. The new art of Tan Da and some new
poets were influenced deeply from fairy tales, classical literature in the middle of
era. Meanwhile, composes of Nguyen Tuan and Tu Luc Van Doan affected strongly
from the West's thoughts , which is the theory of action, inauguration of purpose,
escaping to enjoy new experience so as to cure the adventurous disease, freely in
appearance rather than a true purpose for the community and peoples.
3.4.2. Significant examples for awareness of movement in search of
something new, something different.
3.4.2.1. This new space, new life in poems of Tan Da
New space, new life in poems of Tan Da were expressed through sites,
landscapes which were stepped by adventure romantic poet's passing, as well as the
world's first scene that he was adored. Have to say, more than anyone, Tan Da is the
best poet in the continuation and fairy wings world from medieval poetry in
Vietnam. Thereby, he created a unique world of its own – separated completely from
the others. Here's the most remarkable success of the array "first examination" in the


Chapter 4
THE WAY OF EXPRESSING INSPIRATION MOVEMENT
IN VIETNAMESE LITERATURE (1900 – 1945)
4.1. The choice of categories
4.1.1. Adapting styles of poets flexibly for expressing inspiration movement
To show successfully inspiration movement, the poets had an innovation based
on classic poetry and folk poetry. Tan Da was considered as the one who creatively
applied many ethnic poetries, heralded the change and reform in poetry .The authors
of New Poems combined three forms of poetry from three sources different circuits:


18
medieval poetry (7 sounds), folklore (the folk to be six– eight) and modern poetry
(free verse, 8 sounds). It can be seen clearly that this innovation was collective- the
total harmony of old and new, based on the literature and ethnic culture.
4.1.2. Adapting proses creatively for expressing inspiration movement
4.1.2.1. Sign
Sign, especially able travelogue, memoir, custom pen ... has a special role to
express important inspiration in movement of literature in Vietnam in the first half
of the twentieth century (1900– 1945). Tan Da is the first writer to write a memoir,
brought personal behavior shown on literature, took private life as
inspiration. Nguyen Tuan developed sign to the next level up (One trip, Essay I,
Essay II ...). The impression of these works was certainly inspiration movement, the
leave relating to wandering here and there of Nguyen Tuan’s ego was assimilated
into the image of the protagonist.
4.1.2.2. Short story
Compared to sign and essay, the short story is not expressed directly ego of the
artist, but it focused on building the iconic character from which, indirectly talk up
the concept, idea writer about a certain aspect of thought move. The thesis has

4.3.1.1. The overall of tone and arts organizations in expressing inspiration
movement in Vietnamese literature in the first half of the twentieth century (1900 –
1945)
Tone covers, throughout the creators of writing inspiration movement, from
Tan Da to new poems, Nguyen Tuan and authors of Tu Luc Van Doan were lyrical philosophical. The tone and the tone arts organizations depend on genre, poetry
course in many aspects different from prose. Can see autobiographical poem as the
author's mood. Also in prose, especially in short stories and novels, the tone of the
document is shown in many aspects of the structural work (through role narrative of
the author or storyteller, can pass character language, ...).
4.3.1.2. Some specific expression of lyrical tone and philosophical in expressing
inspiration movement of Vietnamese literature in the early twentieth century (1900 –
1945)
Lyrical voice is dominant in the short story and customize pen Nguyen Tuan
(Nguyen, The new suitcase, One trip, A father for Tet holidays, ...). Most of the
writers in the group Tu Luc Van Doan are applied to lyrical tone highlights inner
sense of character at different levels (Rocky life, White butterflies, The End, The
Couple ,. ..). By lyrical methods in writing also used in many short stories and
novels related to the topic of movement by Nhat Linh (The End, The Couple).
In proses of Tu Luc Van Doan, interior monologue form to characters can
philosophical about the problems related to his fate. Not only the character, both the
author (with personalities as storyteller hidden) also participated in the process of
philosophical ideas stream of characters. This approach is a universal nature, which
appears in most of the works of literature, especially prose with natural forms of
psychological character. In composing Nguyen Tuan, object philosophy of the
character is also very diverse, from beauty, language, the arts and human issues (life,
death) ...
4.3.2. Language and organization of art in expressing inspiration movement
of Vietnamese literature in the half of century XX ( 1900-1945)
4.3.2.1 In poems
To express inspiration movement, authors of new poets not only learn original

character.
In the poems of Tan Da and New Poet
In poets of Tan Da, the wind is attached to the experience of the torso and
forgiveness... the subjects are in love. The wind symbolizes the distortion of her life,
an adventure. In poets of Tan Da, the rainy icon carries a color and classical tone,
bound with nature, especially the autumn. It contains the two crabs that are basically
cold and lonely by the lyrical character.
In New poet, the rain icons are usually associated with alcohol, creating a
double - rain symbol: rain. Rain here is just a natural phenomenon, which
symbolizes the cold of life, the martial world. And the wine is my friend, helping the
poets to release the melancholy on the road all the way down.
4.3.2. Symbol of way
In the prose of Tu Luc Van Doan and Nguyen Tuan
In the prose of Nguyen Tuan


21
The form of river and sea
With men linking to travelling as Nguyen Tuan, the world of characters must
not be without characters being on the sea, the ship became a symbol for example.
Aspiring to travel, leaving, dreaming of taking the burden of the characters.
The form of station and train
The form of station and train in works of Nguyen Tuan: is the place to break up;
where to reunite and meet the people of love, memory.
The prose of Tu Luc Van Doan
The form of river and sea
In the works of Tu Luc Van Doan, the space associated with fun, travel or hide
out of life; the new youth class, the faeries of fake masters. This is a miniature
picture of high life, entirely against the lowly labour scenes around the characters,
we can catch the sea view in the novels and the short stories of Tu Luc Van Doan


22
space, where the breakup occurred. About symbolism, this dual emblem symbolizes
the departure and stopping of adventurous life.
Road of life forms, the ideal way
In the New poet, the way icons are concretized: the road of suffering, horizon,
place, country and marine lake, thousands of miles to sea, the sky, landing silently,
far shore, footpaths, ... In terms of the love couples, the road is a symbol of
suffering, separation. In romantic relationships with adventure, image path iconic
association with: happiness; with infinite adventures; Ideal established itself, ... In
addition, the way of icon in the new poetry is also the way back to the homeland - a
clear manifestation of the sense of exile.
To sum chapter 4
Chapter 4 of the thesis focused on survey, analysis and evaluation for methods
showing inspiration movement in Vietnamese Literature in the first half of the
twentieth century (1900 – 1945) on three basic dimensions: genre; style; tone and
language.
In genre, first of all, the thesis turns to the survey, analysis and evaluation of the
role of poetry, memoirs, short stories, novels and the choice of that category in the
show inspired move of the operation authors typically: Tan Da, the New poetry,
Nguyen Tuan and Tu Luc Van Doan. The innovation of the author in each specific
category based on classic literature and external factors that impact from Western
literature. The main innovation that has helped accelerate the process of
modernization of national literature, literary Vietnam put in orbit general literature
and world region.
In style, thesis focuses on analyzing, evaluating the role of a romantic style and
the style combines romantic - realistic style, whether this is the most outstanding
success of the authors. The choice highlights penmanship style, personality of each
author speaks as a general rule in the show inspired move.
About the tone and language of the show inspired move of Vietnam literature

liberation and renewal of professional writers in the dawn of the modern age ...
factor plays a decisive role is still the subjective premise from national literature
itself. Literature Survey Vietnam 1900 – 1945, the study completely no basis to
determine that "Move" as an expression of nature's era liberation
aspirations, change; and this is the inspiration trigger powerful creative possibilities
of the writer. Thanks to it that national literature has many lively art world, unique.
4. Write inspired move, literary Vietnam first half of the twentieth century
(1900 – 1945) showed much fresh content. First, move as a way of escapism in
under feudal colonial regime than cramped, illogical, unjust. Second, move - "go
away" as a hobby Gypsy, infinity ... and desire for freedom. Third, move as a way to
liberate the individual, we individual humans. Fourth, move – in search of
something new, something different. All content that we show that inspired a
connotation move quite extensive and includes many manifestations, different
aspects. This is entirely appropriate, in harmony with the concept presented theories
that we have given in Chapter 1 of the thesis.
5. In order to show new levels of attraction, Vietnamese writers in the first half
of the twentieth century (1900 – 1945) made a major effort in using multiple
methods, technological guidelines, and technological guidelines to say It's the kind
of exercise; pen; the tone and the language. Romantic writing is the proprietary
writing in the editorial theme, besides, the writers are also combining romance with
real writing, about the accent, the two mostly primal voices used as an accent. In the


24
language of the language, using the language of Nguyen's language, to obey the
highest character, attach to the brilliant and the character of the author. The language
of the rich culture is emotional and psychological, the nature of the character, in that
promoting world, promoting characterizations of art is: the rains, the roads and the
lines of consciousness and meaning. Deeply characterized, dedicated to the open
portion of reality and expressed the sensation of the artist on the move.